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#Keilwerth tenor sax about full
#Keilwerth tenor sax about professional

(see the "Early Models") borrowed much from the overallĭeluxe” model New Wonder horns: additional inlaid pearl keytouches, That’s about 20 or so miles from Graslitz, Czechoslovakia.Īt this point, an aside: these first horns Geography lesson: Adler and Hüller were located in Markneukirchen, Of which Max helped “develop” from 1923 to 1925). Hüller (another small German manufacturer, the saxophone department Primarily manufactured saxophones for Adler (a small German manufacturer that disappeared after World War II) and FX After this apprenticeship, JuliusĪnd Max established a workshop in their home around 1925 or 1926.

Julius Keilwerth first worked for the KohlertĬompany in Graslitz, Czechoslovakia (A.K.A. Johann Keilwerth had three sons Max (1898 – 1968), Richard and Julius (1894 Taiwan and the EX90 is assembled with parts produced by Amati. The ST90 is a student horn produced in the R.O.C. * Modern Horns, the SX-90R and EX-90 - and are essentially evolutions of the Toneking and New King models.

#Keilwerth tenor sax about professional

Peter Ponzol, a limited edition professional horn available for * New King and Toneking (three to four variations of each stencilled as the H-Couf horns, ConnĭJH Modified models, Selmer Bundy/Bundy Special and dozens of others)Īn intermediate model, that was stripped and used as the template for Soloist, Deluxe and Exklusiv models stencilled as the Selmer Pennsylvania - andĮach are slight variations on each other) Keilwerth has only had essentially three professional models: The links will take you to pages with more information Present as complete as possible history – but it’s by no Of a different format for these pages and I’m going to try to They've even insisted on their forum that all Keilwerth horns are engraved

#Keilwerth tenor sax about full

The Keilwerth company itself doesn't know its full history: The Keilwerth company), Selmer, Kohlert, Amati and several other smaller There, a lot of it is in German (which I can’t read) and it’sĪlso partial: no one seems to know the full story of the Keilwerth companyĪnd its association with Boosey and Hawkes (before and after they purchased

While there is a lot of information about Julius Keilwerth out.

Much so that it’s impossible to just talk about Julius Keilwerth Were involved with most of the German AND Czech saxophone market, so It should be ready in the next 2-3 weeks (so June 2019).Is probably the most challenging manufacturer to write about for two The horn itself is less than half the price! Buy it now to reserve it. Just the work costs around $1100-1500 to do everything, which means you are getting an excellent value. It’s a joy to play a horn like this with a fresh overhaul. It is getting overhauled right now, which is a big job – 30+ hours of highly-skilled labor goes into a good overhaul, and that means the horn will play its very best with all new everything, for a long time into the future. This particular example has original lacquer and no resolders. It really checks all the boxes of what you might want in a tenor. It is the most like a Conn of any modern horn, and it is well made, tunes well, feels great undet the fingers. I’m not surprised that when Conn wanted to add a new professional instrument to its line, it went with the Keilwerth. As you may know already, the Superba 1 is one of my favorite tenors.

Made by Keilwerth for Conn, this is like a Couf Superba 1 with straight tone holes and Conn 10M engraving. Getting a complete high end overhaul right now! This is in the hard-to-beat-for-the-price category for sure.